1963 - number 297
East Indian rosewood - nothing particularly remarkable about it; just normal stuff with fine purfling lines.
All shellac french-polished.
European spruce - of clearly good quality with plenty of medullary figuring showing over the whole front. It has one of the famed Fleta rosette designs (much influence from Simplicio) and a dark rosewood bridge with some tie-block decoration of simplified design from the rosette central tiles.
Fustero originals with white pearl buttons.
648mm with 19 frets on the ebony fingerboard.
50 mm at the nut. (Many of the later ones had thick, wide necks which many people find just too heavy)
1705 grams
In extremely good condition for the year. No body repairs or cracks. It looks like the head joint has partly opened at one time and has been re-glued. It was recently stress-tested and is completely solid.
The polish to back and sides looks original and untouched. The front polish also seems original, with some crazing - though I suspect the front polish may have been spirited over at some stage - not sure.
The fingerboard was recently re-fretted.
It is in perfectly good, concert playing condition.
The early 1960's, when John Williams, Andres Segovia and many other fine performers had these instruments, is surely the most sought-after period for Ignacio Fleta guitars.
This is one of the spruce guitars from a period before the maker started to work with Canadian cedar.
It has a very clear, noble and refined character with a bass that is crisp and focussed with good fundamental depth, together with clarity, sustain and purity of treble. In good hands, these instruments can deliver magic sounds.
Finding a spruce Fleta from this golden period is not so easy; particularly finding one in this really very good condition.Ignacio Fleta - Click here to find out more about this maker
+ 44 (0) 1732 453 523
Need advice?
Contact Us